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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">nguhist</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник Новосибирского государственного университета. Серия: История, филология</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik NSU. Series: History and Philology</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1818-7919</issn><publisher><publisher-name>Novosibirsk State University</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.25205/1818-7919-2022-21-4-70-80</article-id><article-id custom-type="elpub" pub-id-type="custom">nguhist-1012</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ИСТОРИЯ КИТАЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>HISTORY OF CHINA</subject></subj-group></article-categories><title-group><article-title>Первый опыт советско-китайского сотрудничества в кинематографии (1949–1950)</article-title><trans-title-group xml:lang="en"><trans-title>The First Experience of the Soviet-Chinese Cooperation in Cinematography (1949–1950)</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-8718-8338</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Верченко</surname><given-names>А. Л.</given-names></name><name name-style="western" xml:lang="en"><surname>Verchenko</surname><given-names>A. L.</given-names></name></name-alternatives><bio xml:lang="ru"><sec><title>Алла Леонидовна Верченко, старший научный сотрудник</title><p>Москва</p></sec></bio><bio xml:lang="en"><sec><title>Alla L. Verchenko, Senior Researcher</title><p>Moscow</p></sec></bio><email xlink:type="simple">veailan@yahoo.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Институт Дальнего Востока Российской академии наук</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Institute of Far Eastern Studies of the Russian Academy of Sciences</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2022</year></pub-date><pub-date pub-type="epub"><day>17</day><month>04</month><year>2022</year></pub-date><volume>21</volume><issue>4</issue><fpage>70</fpage><lpage>80</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Верченко А.Л., 2022</copyright-statement><copyright-year>2022</copyright-year><copyright-holder xml:lang="ru">Верченко А.Л.</copyright-holder><copyright-holder xml:lang="en">Verchenko A.L.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://nguhist.elpub.ru/jour/article/view/1012">https://nguhist.elpub.ru/jour/article/view/1012</self-uri><abstract><p>Анализируется советско-китайское сотрудничество в области кино в начальный после образования КНР период, которое ранее не исследовалось в отечественной истории. Первые совместные цветные документальные ленты «Победа китайского народа» и «Освобожденный Китай» (1950 г.) стали символом дружбы и тесного взаимодействия между двумя странами, которыми характеризовались 1950-е гг. Сотрудничество строилось на общей идеологической платформе, было подчинено единым политическим целям, отвечало задачам обеих коммунистических партий и проходило под их контролем. Обе стороны придавали большое значение пропагандистскому, агитационному и просветительскому значению фильмов, поэтому направили на их производство лучшие кадры. Работа над двумя фильмами помогла восстановлению и развитию китайской киноиндустрии, продемонстрировала продуктивность совместной работы, которая получила высокую оценку как в СССР, так и в КНР, и стала началом дальнейшего сотрудничества, которое продолжается в XXI в.</p></abstract><trans-abstract xml:lang="en"><p>The author reveals and analyzes the historical background of an early period of the Soviet-Chinese cooperation in documentary cinema at the beginning of the 1950s. The partnership became possible only after the creation of the People’s Republic of China, although initial attempts were made somewhat earlier. However political reasons and ideology differences became an insurmountable obstacle in the way of productive interaction. The first joint colour full-length documentary films “The Victory of the Chinese People” and “Liberated China” (1950) became a symbol of friendship and close ties between the two countries. This characterized the period of the 1950s. The collaboration based on a common ideological platform, subjected to common political goals, met the tasks of both communist parties and took place on the basis of directive documents of the highest party and state bodies of the two countries. Both sides attached great attention to the propaganda and educational significance of the mentioned films, therefore the best specialists were sent to make them. Soviet film makers found themselves in a completely new political situation, social and everyday life environment. Therefore, Chinese colleagues provided comprehensive assistance. Interaction with the Chinese military and civilian consultants, attached to the groups of Soviet film makers, ensured the complete fulfillment of the goals set by the leadership. This was the first completed project in Soviet-Chinese cooperation while work on industrial sites had just begun. This first collaboration helped to restore and develop the Chinese film industry, demonstrated the productivity and possibility of the joint working groups. The films were highly appreciated in both countries and marked the beginning of further Soviet-Chinese cooperation, which continues in the 21st century.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>СССР</kwd><kwd>КНР</kwd><kwd>история</kwd><kwd>советско-китайское сотрудничество в кинематографии</kwd><kwd>документальное кино</kwd></kwd-group><kwd-group xml:lang="en"><kwd>USSR</kwd><kwd>PRC</kwd><kwd>history</kwd><kwd>Soviet-Chinese collaboration in cinema making</kwd><kwd>documentary films</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Варламов Л. Победа китайского народа. На съемках исторических событий // Искусство кино. 1950. № 6. С. 37–38.</mixed-citation><mixed-citation xml:lang="en">Ding Ning. 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DOI 10.16583/ j.cnki.52-1014/j.2019.z1.001</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
