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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">nguhist</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник Новосибирского государственного университета. Серия: История, филология</journal-title><trans-title-group xml:lang="en"><trans-title>Vestnik NSU. Series: History and Philology</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1818-7919</issn><publisher><publisher-name>Novosibirsk State University</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.25205/1818-7919-2026-25-3-139-151</article-id><article-id custom-type="elpub" pub-id-type="custom">nguhist-3155</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ЭТНОГРАФИЯ НАРОДОВ ЕВРАЗИИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>ETHNOGRAPHY OF THE PEOPLES OF EURASIA</subject></subj-group></article-categories><title-group><article-title>Шаманизм в советском кино: «Дорогой мертвых» (1937)</article-title><trans-title-group xml:lang="en"><trans-title>Shamanism in Soviet Cinema: “The Road of the Dead” (1937)</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0003-4866-7122</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Головнев</surname><given-names>И. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Golovnev</surname><given-names>I. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Иван Андреевич Головнев, доктор исторических наукScopus Author ID 57192830550WoS Researcher ID AAC-8728-2019RSCI Author ID 699963</p></bio><bio xml:lang="en"><p>Ivan A. Golovnev, Doctor of Sciences (History)</p></bio><email xlink:type="simple">golovnev.ivan@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Музей антропологии и этнографии имени Петра Великого (Кунсткамера) Российской академии наук; Санкт-Петербургский государственный университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Peter the Great Museum of Anthropology and Ethnography of the Russian Academy of Sciences; St. Petersburg State University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2026</year></pub-date><pub-date pub-type="epub"><day>29</day><month>03</month><year>2026</year></pub-date><volume>25</volume><issue>3</issue><fpage>139</fpage><lpage>151</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Головнев И.А., 2026</copyright-statement><copyright-year>2026</copyright-year><copyright-holder xml:lang="ru">Головнев И.А.</copyright-holder><copyright-holder xml:lang="en">Golovnev I.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://nguhist.elpub.ru/jour/article/view/3155">https://nguhist.elpub.ru/jour/article/view/3155</self-uri><abstract><p>Ключевым аспектом культурной революции в СССР в 1920–1930-е гг. являлась революция религиозная. Политика советской власти актуализировала поиски визуальных приемов по «перековке» мировоззрения среди населения многоконфессиональной страны с привлечением научных и кинематографических компетенций. Основанная на анализе архивных материалов, статья вводит в научный оборот информацию о фильме «Дорогой мертвых», посвященном шаманизму, и снимавшемся в рамках комплексной академической экспедиции 1935–1937 гг. по изучению этнографии народов Нижнего Амура. Путем сопоставления экспедиционной программы и киносценария выявляются мотивы ученых и кинематографистов при реализации киноопыта. Показана история создания фильма, репрезентировавшего верования нанайцев, в контексте антирелигиозной идеологии изучаемого периода, что наделило эти свидетельства свойствами исторического источника. </p></abstract><trans-abstract xml:lang="en"><p>Purpose. The aim of this research is to examine the experience of using cinematic resources to reshape the worldview among the population of a multi-confessional country using scientific and artistic approaches. One of the key aspects of Sovietization was the anti-religious campaign, designed to get rid of heterogeneous confessional “prejudices” and construct in the consciousness of the masses a common, “near-religious” attitude to the socialist world order. Cinema, which was rapidly gaining popularity, was seen as an effective tool for operational intervention in the delicate area of public consciousness.Results. Based on the analysis of archival materials, the article introduces into scientific circulation information about the film “Road of the Dead”, dedicated to shamanism, and filmed as part of a comprehensive academic expedition in 1935–1937 to study the ethnography of the peoples of the Amur River. As a result of the study, the motives of scientists and filmmakers in implementing the film project in question are revealed by comparing the expedition program and the film script.Conclusion. A conclusion is made about the scientific significance of the film source as an informative visual document of its time, allowing us to reconstruct not only the actual events, but also their figurative context, and opening up new research prospects.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>шаманизм</kwd><kwd>нанайцы</kwd><kwd>визуализация религии</kwd><kwd>советское кино</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Shamanism</kwd><kwd>Nanai people</kwd><kwd>visualization of religion</kwd><kwd>Soviet cinema</kwd></kwd-group><funding-group><funding-statement xml:lang="ru">Исследование выполнено за счет гранта Российского научного фонда № 25-28-00277 («Визуальный атлас конфессий»: (анти)религиозная пропаганда в СССР в 1920–1930-е гг.), https://rscf.ru/project/25-28-00277/</funding-statement><funding-statement xml:lang="en">The research was carried out at the expense of a grant from the Russian Science Foundation, project no. 25-28-00277 (“Visual Atlas of Faiths”: (Anti)religious Propaganda in the USSR in the 1920s – 1930s), https://rscf.ru/project/25-28- 00277/</funding-statement></funding-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Вайнштейн С. 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