The authors investigate the historical fate of one of four construction mega-projects of Qin Shihuangdi, namely, Epang Palace which was supposed to become the worthy dwelling for the first unifier of the Celestial Empire. Construction workers erected the giant platform-stylobate and built three walls around it. During the Middle Ages (from the end of the Han dynasty and up to the Tang dynasty) it accommodated the military Echeng settlement. Within the same period of time, by the efforts of literati and, first of all, by prominent poet Du Mu (803-852) who wrote «The Ode on Epang Palace», a myth was created about the wonderful residence of the Emperor with many features such as watchtowers, pavilions and galleries, and how all these beauties were destroyed by rebellions in the great fire. Nevertheless, regular archaeological excavations conducted at the site during the period of 2002-2004 did not reveal any traces of such a fire. The Palace wasn’t burned down - it was simply never constructed. Furthermore, though the huge base platform of the Palace was registered by UNESCO experts as the biggest palace building in the world, no further complicated constructions were found on its surface (though some evidence of preparatory works were reported, for example, the many pieces of roofing tiles that were lifted to the platform). The results of archaeological investigations of real Epang meant the death-warrant to false Epang that was built by local authorities as popular tourist attraction, means a source of money. It was ruined in 2012 and replaced with archaeological park where all construction works were to be based on scientific reconstruction.