The Tomb of Lou Rui (Northern Qi Empire) as a Monument of a Transitional Period
https://doi.org/10.25205/1818-7919-2022-21-10-22-36
Abstract
The article presents the preliminary results of the study of an incredibly important monument – the Tomb of Lou Rui, who was one of the highest officials in the state of Northern Qi. A rich funerary inventory was found there, as well as coloured frescoes with a preserved area of approximately 200 square meters. They include 71 compositions, among which the pictures of the solemn departure from the palace and the return back stand out. The most noticeable part of all images painted on the walls are horses, which number up to 200 heads. Therefore, the horse decoration and harness were specially studied by the authors of this article, and the transitional nature of some important elements (saddle, stirrups) was noted. The clothing of the riders is dominated by «barbaric motifs», which could be seen in the men’s suit from Northern Qi up to the Song Dynasty. The religious and ideological aspects of the burial organization can be determined as syncretic in nature, where traditional ideas about the transition to the «other world» were combined with Confucian and Buddhist motives, possibly with the influence of Zoroastrianism. The placement of multi-figure compositions on the walls of the Tomb’s dromos had a status character. Their creation was led by a palace painter (perhaps, he was the famous Yang Zihua), however a whole team of apprentices helped the master in creating templates, drawing outlines on the wall and filling them with different paints.
Keywords
About the Authors
S. A. KomissarovRussian Federation
Sergey A. Komissarov, Candidate of Science (History), Associate Professor
Scopus Author ID 57195200866
RSCI Author ID 143809
SPIN 6832-0603
Novosibirsk
A. I. Solovyev
Russian Federation
Aleksandr I. Solovyev, Doctor of Sciences (History)
WoS Researcher ID ABA-6010-2020
Scopus Author ID 18042706600
RSCI Author ID 73827
SPIN 9782-2613
Novosibirsk
References
1. Bei qi lou rui mu [北齐娄叡墓]. The Tomb of Lou Rui of Northern Qi. Beijing, Wenwu chubanshe, 2004, 82 p. (in Chin.)
2. Cao Qinghui. Taiyuan bei qi lou rui mu bihua ticaide zai yanjiu [曹庆晖。太原北齐娄叡墓壁画题材的再研究 // 美术研究]. Once again to the study of the plots of the frescoes in the Tomb of Lou Rui, Northern Qi dynasty, near Taiyuan. Meishu yanjiu, 1993, no. 2, рp. 42–47. (in Chin.)
3. Cheng B. Fashioning a Political Body: The Tomb of a Rouran Princess. Archives of Asian Art, 2007, vol. 57, pp. 23–49.
4. Dien A. The stirrup and its effect on Chinese military history. Ars Orientalis, 1986, vol. 16, pp. 33–56.
5. Gavrilova A. A. Mogil'nik Kudyrge kak istochnik po istorii altaiskikh plemen [Kudyrge burial ground as a source on the history of the Altai tribes]. Moscow, Leningrad, Nauka, 1965, 145 p. (in Russ.) Han Haitao. Cong lou rui mu kan Taiyuan zai bei qi shiqide minzu ronghe [韩海涛。从娄睿墓看太原在北齐时期的民族融合 // 太原师范学院学报(社会科学版)]. On the basis of the Tomb of Lou Rui, we’ll consider the confluence of peoples in the Taiyuan region of Northern Qi period. Taiyuan shifan xueyuan xuebao (shehui kexue ban), 2017, no. 5, pp. 25–28. (in Chin.)
6. Khudyakov Yu. S. Ob izobrazhenii bozhestv drevnetyurkskogo panteona na pamyatnikakh iskusstva nomadov Yuzhnoi Sibiri i Tsentral'noi Azii epokhi rannego srednevekov'ya [On the deities image of the of the ancient Turkic pantheon on the art monuments of the nomads of South Siberia and Central Asia in the early Middle Ages]. Antiquities of Siberia and Central Asia, 2010, no. 3, рp. 93–103. (in Russ.)
7. Komissarov S. A. Rasprostranenie stremyan [Distribution of stirrups]. Vestnik NSU. Series: History and Philology, 2006, vol. 5, no. 4: Oriental Studies, pp. 20–23. (in Russ.)
8. Komissarov S. A., Solovyev A. I., Kudinova M. A. Zhongyuan as Chinese heartland. Vestnik NSU. Series: History and Philology, 2016, vol. 15, no. 10: Oriental Studies, pp. 184–189. (in Russ.)
9. Kubarev G. V. Kul'tura drevnikh tyurok Altaya [The culture of the ancient Turks of Altai]. Novosibirsk, IAET Publ., 2005, 400 p. (in Russ.)
10. Li Yuqun, Goodman H. L. Review of Discoveries in Wei-Jin Nanbeichao Archeology since 2000. Asia Major: Third series, 2010, vol. 23, no. 1, pp. 253–284.
11. Maliya. Ouya caoyuande madeng [玛丽娅(Maria Kudinova)欧亚草原的马镫 // 文博]. Stirrups of Eurasian steppe. Wenbo, 2019, no. 2, pp. 27–35. (in Chin.)
12. Molodin V. I., Novikov A. V., Solovyev A. I. Burial complexes of the ancient Turkic period at the burial ground Kaldzhin-8. Archaeology, ethnography and anthropology of Eurasia, 2003, no. 2, pp. 71–86. (in Russ.) Müller Sh. Horses of the Xianbei, 300–600 AD: A Brief Survey. In: Pferde in Asien: Geschichte, Handel und Kultur. Wien, Verlag der Österreichischen Akademie der Wissenschaften, 2009, pp. 181–193, 284–288.
13. Shi Anchang. Bei qi xu xianxiu, lou rui muzhongde hotan he liqi {施安昌。北齐徐显秀、娄叡墓中的火坛和礼器 // 故宫博物院院刊]. Fire altars and ritual items in the tombs of Xu Xianxu and Lou Rui, Northern Qi dynasty. Gugong bowuyuan yuankan, 2004, no. 6, рp. 41–47. (in Chin.)
14. Su Bai. Taiyuan bei qi lou rui mu canguan ji [宿白。太原北齐娄睿墓参观记 // 文物]. Notes on visiting the tomb of Lou Rui of the Northern Qi dynasty near Taiyuan. Wenwu, 1983, no. 10, pp. 24–28. (in Chin.) Taiyuanshi bei qi lou rui mu fajue jianbao [太原市北齐娄睿墓发掘简报 // 文物]. A brief report on the excavation of the Tomb of Lou Rui of the Northern Qi dynasty near Taiyuan. Wenwu, 1983, no. 10, pp. 1–23. (in Chin.) Tao Zhenggang. Bei qi dong’an wang lou rui mude bihua he diaosu [陶正刚。北齐东安王娄叡墓的壁画和雕塑 // 美术研究]. Frescoes and sculptures of the Tomb of Dong'an wang Lou Rui, Northern Qi dynasty. Meishu yanjiu, 1984, no. 1, рp. 54–64. (in Chin.) Tao Zhenggang, Deng Linxiu, Wang Tianxiu, Zhou Jian, Yan Yuejin. Bei qi dong’an wang lou rui mu [陶正刚、邓林秀、王天庥、周健、阎跃进。北齐东安王娄叡墓]. Tomb of Dong’an wang Lou Rui, Northern Qi dynasty. Beijing, Wenwu chubanshe, 2006, 308 p. + 160 il. (in Chin.)
15. Tsiang K. R. Monumentalization of Buddhist Texts in the Northern Qi Dynasty: The Engraving of Sūtras in Stone at the Xiangtangshan Caves and Other Sites in the Sixth Century. Artibus Asiae, 1996, vol. 56, no. 3/4, pp. 233–261.
16. Varenov A. V., Kudinova M. A. Siberian and Central Asian Turkic-Time Personages in Three-Horned Headdress and Petroglyphs of the Wujiachuan Rock-Art Site. Tomsk State University Journal of History, 2020, no. 68, рp. 35–42. (in Russ.) DOI 10.17223/19988613/68/5
17. Varenov A. V., Pan T. A. Medieval Chinese Painting “Nomads” and the Problem of its Attribution. Vestnik NSU. Series: History and Philology, 2022, vol. 21, no. 4: Oriental Studies, pp. 21–41. (in Russ.) DOI 10.25205/1818-7919-2022-21-4-21-41
18. Wang Tianxiu. Bei qi dong’an wang lou rui muzhiming zhuyi [王天庥。北齐东安王娄睿墓志铭注释 // 山西省考古学会论文集]. Commentary translation of the inscription on the stele on the grave of the Dong'an wang Lou Rui, Northern Qi dynasty. In: Shanxisheng kaoguxuehui lunwenji [Collection of papers of Shanxi Province archaeological society], 1992, initial issue, p. 173–180. (in Chin.)
19. Watt J. C. Y., An Jiayao, Howard A. F., Marshak B. I., Su Bai, Zhao Feng. China: Dawn of a Golden Age, 200–750 AD. New York, The Metropolitan Museum of Art; New Haven & London, Yale Uni. Press, 2004, 392 p.
20. Yang Xin, Barnhart R., Nie Chongzeng, Cahill G., Lang Shaojun, Wu Hong. Three thousand years of Chinese painting. New Haven & London, Yale Uni. Press; Beijing, Foreign Languages Press, 1997, 402 p.
Review
For citations:
Komissarov S.A., Solovyev A.I. The Tomb of Lou Rui (Northern Qi Empire) as a Monument of a Transitional Period. Vestnik NSU. Series: History and Philology. 2022;21(10):22-36. (In Russ.) https://doi.org/10.25205/1818-7919-2022-21-10-22-36